AI-generated

— Testimonials

Words from people who hired me

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Pat is a stand-up guy and a guardian angel on tour. Plus he can shred!.
J. StreatinHuman, Neverus
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An incredible guitarist who lives for his instrument!
Two Weeks AmsterdamMetalcore band from Berlin
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I'm beyond happy to share that Patrick N. Hesse — aka @copypat_- is now an official Pigtrum artist! Patrick is not only a brilliantly skilled and versatile guitarist, he's also a genuinely wonderful human being with his heart in the right place. Many of you know him from his killer guitar work with Aeon Gods, and if you don't yet... well, go fix that and check them out! (...) Thrilled to have him in the Pigtrum family!
T. HorváthPigtrum
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I can only recommend Pat! He managed to work himself into a full live set in just two weeks! Which is why we had this awesome gig together!
M. ReasonRise of Pandemonium
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Big shoutout to Pat - our partner in crime for the last two weeks of our European Tour! 🔥 He jumped in on short notice, brought tons of good energy on and off stage. 🎸 ⚡ Always supportive and always firing up the crowd. From rocking the stage to sharing great moments on the road - it’s been an absolute blast having you with us. Thanks, you truly rocked it! 🤘
A. HunzingerAEON GODS
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Pat was the musical director in the production -Vor langer Zeit im Mai- at the Deutsches Theater in Göttingen in the season 2009/2010. He found musically atmospheric translations for the pictorial language of the presentation - both by his own compositions and its live performence by himself. Both his music and his presence on stage were the pillars of the production which defined the aesthetics of the production significantly. His musical intuition, creativity and cooperative and sensitive handling of the ensemble made it a very pleasant and successful cooperation. I thank Pat for all his dedication.
M. SchombertTheater educator, Staatstheater Mainz
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Pat played the electric and acoustic guitar in season 2012 for PLAYGROUND. Confident and competent he covers all the various requirements a modern guitarist needs for a 80s / 90s Pop Cover program. In particular he easily demonstrates his technical skills and musical flexibility, as well as his stylistic security.
S. SaretzPlayground, Trius Music